- Submitted by: Steve Butler
As a follow-up to my Applescript for sending all open PDFs to Papers, here's a script that sends the currently open PDF as an email attachment to a specified address, with a prefixed subject (so you can set up a mail filter to add a label once it arrives). This is particularly useful if you decide you want to have the current PDF available for reference in Gmail on your phone.
Ideally you'd be able to use Google's Documents API to upload the file directly to Google Docs, but the API doesn't have support for PDFs, yet.
→Download the script← (edit the sender and recipient as appropriate, then place in ~/Library/Scripts/Applications/Skim).
You can remove all the GrowlHelperApp-related lines if you don't want notification.
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One of the nifty new features of the recently revamped Last.fm is that every tag that ever has been applied by Last.fm users to music now has its own page that contains everything Last.fm knows about the tag. The page shows the top artist for the tag, a wiki-style description of the tag, and a shoutbox where last.fm listeners can have a running conversation about the tag. The shoutbox seems like it will be a lot of fun - it's the place to go if you want to argue the finer points of technical death metal vs. melodic death metal. The current dialog in the emo shoutbox is particularly entertaining as fans try to protect their listening turf. Some selections:
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SDoW, Social Data on the Web, est une conférence qui aura lieu fin Octobre en Allemagne. Elle prend place au sein d’un événement majeur qui est la 7ème conférence internationale du web sémantique (ISWC). Ce workshop est particulièrement intéressant et devrait être suivi de prêt ou de loin par les différents acteurs des réseaux sociaux, du web social, du web.
Aujourd’hui l’ouverture des données n’est plus seulement un rêve mais un besoin utilisateur. Comment les technologies peuvent elles répondre à ce besoin ? Quel est le champ des possibles pour ces nouveaux services du web sémantique ? Vous devriez trouver quelques pistes parmi les panels suivants:
- Creating RDF-based knowledge using social media services
- Data Portability and Social Network Portability
- Emerging semantic platforms for the Social Web
- Enriching Social Web with semantic data: RDFa, microformats and other approaches
- Linked Data on the Social Web: providing linked data from social media sites
- Ontologies for the Social Web: developing, using and extending lightweight ontologies for social media sites
- Querying and mining social semantic data
- Policies, authentication, security, and trust within collaborative scenarios
- Producing Semantic Web data from social software applications
- Reasoning for Social Web applications
- Semantic blogging, wikis and social networks
- Semantically-Interlinked Online Communities (SIOC)
- Social and semantic bookmarking, tagging and annotation
- Social Semantic Web: combining Web 2.0 and Semantic Web strategies and technologies
Et surtout ce sera l’occasion de rencontrer le célèbre Alexandre Passant, qui co-organise ce workshop.
Sitting in my RSS feedreader was an article by Paul Wlodarczyk titled “How XML Enables the Semantic Web“, which I think is incredibly wrong. I think XML is just one option for the overall idea behind the Semantic Web, and it’s not the only option.
I actually think that we should see the Semantic Web (and more specifically the Linked Data Web) as Format Agnostic. The truth of the matter is that the average web user (and business client) does not care at all about the underlying formats, they just want something that is useful and works (the more useful and the more stable the better). Linked Data is all about interconnecting information, and so as long as that information is objective, meaningful and processable then it can be turned into whatever format/framework you like (whether its Linked Data RDF, Topic Maps, DITA or even Microformats/RDFa based XHTML) from whatever format/framework is available (whether its Linked Data RDF, Topic Maps, DITA or even Microformats/RDFa based XHTML)… this is what being Format Agnostic means!
So when Paul writes:
In fact, creating the Semantic Web might be as easy as authoring content in DITA.
I think that’s right, but I think it’s equally right to say one of the following:
The format is irrelevant, the key things we have to ask ourselves (as developers) when choosing a format/framework are:
Let’s be pro-format-agnostic!
I invite your comments (especially from Paul, if you’re reading)
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by Xavier Lacot (xavier@lacot.org) at July 24, 2008 07:25 AM
by Xavier Lacot (xavier@lacot.org) at July 24, 2008 07:25 AM
Allemagne Année zéro, Roberto Rossellini, Italie 1948.
Un enfant tente de survivre au lendemain de la guerre dans une ville en ruine. Dans cette misère, l’enfant, Edmund, fait déjà le sacrifice de soi en vivant pour les autres et tentant d’aider ce qui reste de sa famille. Mais que peut-on faire quand à 12 ans le désastre de la guerre vous tombe dessus ?
On déambule avec lui dans les rues en ruine, en attendant un signe de la providence, une raison d’espérer. On aimerait l’aider, mais on est au cinéma, et il faut accepter de n’être que spectateur.
Dans cette dernière scéne du film, le dénouement donne le vertige, l’enfant devient un héros tragique dans une chute qui rappelle les falaises des mythes de la grêce antique, celles d’où on se jette pour échapper à son destin.
Mais nous sommes au vingtième siècle, et c’est un enfant qui gît, là, alors qu’un tramway passe au second plan, voulant nous signifier que la vie continue. Non ! La vie ne continue pas, en tout cas plus comme avant.
Some technical blogs are usually interesting, but there are some which really push the limit and helps you to analyze and understand. Reading these blogs, it just feels good. A sample of interesting blog posts I have read lately:
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According to initial reports, an announcement due later today will state that major ISPs in the UK have reached an agreement to work with the music industry to start mass warning file-sharers. The deal, brokered by the government, will see hundreds of thousands warned but not disconnected.
In what will be seen by the British Phonographic Industry as a partial victory in its war against file sharers, major ISPs in the UK have agreed to music industry demands to start sending out warning letters to those it accuses of sharing its copyright works.
The report states that the deal was agreed by six of the UK’s most prominent Internet Service Providers following intense government pressure. It’s estimated that these as-yet unnamed ISPs will send out hundreds of thousands of letters to suspected uploaders of music. The ISPs - thought to include Virgin Media who already did an early deal - are BT, Orange, Tiscali, Carphone Warehouse (AOL, TalkTalk) and BSkyB.
Demands from the music industry to disconnect uploaders from the Internet have not been met by the ISPs nor insisted upon by the government as Culture Secretary Andy Burnham had already stepped back from a government implemented ‘3 strikes and you’re out’ policy. One ISP, Virgin Media, already indicated that there was “absolutely no possibility” of them disconnecting alleged pirates from the Internet.
However, it’s being reported that other measures may be taken against alleged file-sharers, including traffic management techniques being deployed to punish persistent offenders. As we reported earlier, this element is likely to be negotiated by the UK telecoms regulator, Ofcom.
The Times is reporting that other steps may be taken by the government such as the introduction of an annual £30 ‘download tax’. Peter Jenner, a music industry player who has been supporting such a plan said that the tax could bring in enough turnover to support the music industry: “If you get enough people paying a small enough amount of money you can turn around the wheels of the music industry” he said. Although UK citizens are used to this type of charge with the current TV licensing system, this type of tax seems unlikely to succeed in the current environment.
A Memorandum of Understanding drawn up by the Department for Business, Enterprise & Regulatory Reform (BERR) and signed by all six ISPs states that not only must the ISPs commit to a “significant reduction” in music file-sharing in the UK but they must also help develop legal music services too. One can see how this might be attractive to certain ISPs, such as BSkyB who just days ago signed a deal with Universal to set up an online music service “to rival iTunes”.
All this will be backed up by an educational campaign to ensure that every customer knows that it is illegal to upload copyright music.
More on this breaking news as we get it during the day.
Update: Geoff Taylor, chief executive of the BPI says reports of a levy are incorrect: “A levy is not an issue under discussion. It has not been discussed between us and government and as far as we are aware it is not on the table.”
This is an article from: TorrentFreak
ISPs To Send “Hundreds of Thousands” of File-Sharing Warnings
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| Piled Higher & Deeper by Jorge Cham |
www.phdcomics.com
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title:
"Burrosploitation" - originally published
7/23/2008
For the latest news in PHD Comics, CLICK HERE! |
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Parfois, il faut savoir relativiser l'intérêt du logiciel, notamment du logiciel libre. Quoi de plus approprié pour ce faire qu'un projet libre ? Et après ?
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After I thought more about RCRD LBL’s economics, I came to a couple conclusions.
I don’t think they’re selling their spots at the listed rates. I think the ads they are selling might be part of package deals with other sites that I don’t know about, because they can’t deliver enough traffic for major brands to pay attention to them. And I think the actual rates are lower.
I also think that I understand their business strategy. They’re able to put major brands inside the world of way-cool MP3 blogging without risking association with copyright infringement. It’s hip but also clean. The business is relying on their squeaky clean copyright status to charge a premium for ads. So even though I don’t think they’re getting the listed rates, I do think they’re getting much better rates than ordinary MP3 blogs.
This points towards an elegant and innovative business model.
Ordinarily internet music companies are forked between two deaths. If they keep it clean they get killed on royalties for licensing. If they’re fast and loose with copyright, they get killed on legal bills and eventually are forced to license anyway. But either problem assumes that they have to carry a broad selection of everything with cultural presence.
RCRD LBL avoids both forks by doing their own A&R, then packaging the results as a blog. The reason they’re a label is that they do their own research work to find obscure gems. It’s important that these are obscure, because it means that licensing costs can be kept down. It’s important that they do their own research, because there aren’t yet strong discovery tools for digging out the gems in the mountain of unknowns. The reason they’re a blog is that they aren’t expected to carry everything everywhere. If they were a search engine like Seeqpod or an encompassing content browser environment like All Music Guide, they would need to carry music that they couldn’t afford to license. The blog format puts them in position to limit what they release.
Note that the importance of lowering royalty costs doesn’t imply that the musicians are getting screwed. If the musicians earn exactly the same as they do on a traditional label, RCRD LBL can still have a winning cost structure by keeping royalties that would normally go to label and publishing bills.
Will it work? It depends on execution. They need to get their traffic up enough to do business with the brand advertisers who will pay a premium for RCRD LBL’s clean but edgy product line. This range is about a million uniques a month.
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Over on CASH Music, Deerhoof released a new song as sheet music, and did it under a Creative Commons Attribution-Sharealike-NonCommercial license. Their version is a nice hand made piece of writing with a good vibe, but it’s easier to work with this stuff if it’s digitized so I retranscribed their source into Sibelious. Given that I was able to auto-create a MIDI file, an MP3 file, and parts for each instrument, including guitar tablature.
There is no Deerhoof recording of this song yet, just a how-to in the form of sheet music. I am in awe that the band *led* with the interactive element in this release.
The MIDI file can lead straight to remixes. And the MP3 I produced from it can give people an idea of what this song sounds like, which most people won’t get until recordings come out.
The goods are all over in the dedicated page for this on my music site.
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No much time to blog at the moment, as I’m mainly concentrated on writing my PhD thesis (and so I wish best of luck - and motivation - to the ones in the same case !)
Yet, I gave a talk at a Center For Digital Music seminar last week, invited there by Yves Raimond. The goal was to showcase how the usual suspects of the Social Semantic Web (FOAF / SIOC / MOAT / LOD) can be used in the context of music-related services and can provide new ways regarding music recommendation. If you’re interested in music-related computing (not only from a SW point of view), you may also be interested in browsing the lab homepage and various projects they host (as the Giant Instrument and others like 3D-sound modeling, automatic mixing or human-synth beat-box)
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The SDoW deadline have been extended to the 4th of August, so that you have two additional weeks to submit your paper, demo or poster.
The 1st Social Data on the Web workshop (SDoW2008) co-located with the 7th International Semantic Web Conference (ISWC2008) aims to bring together researchers, developers and practitioners involved in semantically-enhancing social media websites, as well as academics researching more formal aspect of these interactions between the Semantic Web and Social Media.
Complete details about the workshop can be found on its website. Also note that the poster and demo submissions can be up to 3 pages in LNCS format, while it was 2-pages only at the begining.
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Je viens de découvrir la dernière publication du magazine Nodalities intitulée Semantic Web a Blue Ocean Opportunity et le contenu est sacrément intéressant ! Quelques extraits pour vous mettre l'eau à la bouche :
Social Networking Demands Social Verification
Our confidence in email itself is not significantly undermined. But would you really put your personal details in to a social networking site if you knew in advance that 80% of the other ‘people’ in it were fakesters and fraudsters [...]
Semantic Web and the Environment
There’s so much hype and buzzword overflow that it’s a full time job just sorting out interesting bits from re-packaged fluff. And when you’re trying to find a commercial angle on the bleeding edge, the challenges just get that much more interesting.
Open World Thinking
The Web in its current form as a Web of Documents is very different to what we envisage as the Web of Data, or the Semantic Web. Getting from one to the other is not about a technology change, which is where many of us get hung up. What it’s really about is a Paradigm Shift. It’s a completely different way of thinking about the problems we are trying to solve and the applications we are trying to build. Fundamentally, It’s about Open World rather than Closed World thinking.
Je m'arrête là mais c'est vraiment du bon niveau, ça fait plaisir.
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